
“Nubian” emerged from a series of portraits painted directly onto those reclaimed boards. Each surface carried its own history scratched names, marks of wear, layers of patina, and fragments of crude graffiti transforming every board into a unique artifact. Rather than concealing these traces, I allowed them to become part of the work, integrating the physical memory of the material into the painted image. In this way, the boards themselves became collaborators in the portraits, their scars and stories lending depth, texture, and emotional resonance to each piece.